« Every six lunar months – when Sun, Earth, and Moon are aligned – we experience a partial or total lunar eclipse that can be observed anywhere on the night side of Earth. Lunar eclipses can only occur at full moon, that time when the moon is directly opposite Earth in relation to the Sun. Many ancient civilizations cultivated a multitude of myths surrounding these astronomic events, most of them depicting wild animals or mystical creatures eating the moon or crossing it’s path. Tibetan Buddhists say that during a lunar eclipse, our actions, whether good or bad, are multiplied one thousandfold, whereas, in ancient egypt, a lunar eclipse was considered to be the precursor of natural disasters, catastrophes, wars, and diseases and the biggest possible harm would be cast upon the earth if Isfet, the manifestation of the total eclipse and god of injustice and violence, would make the sky fall onto Earth and therefore bring chaos upon it. »
« Originally hailing from Krasnodar, Russia and Bielefeld, Germany, one was inspired by naive childhood memories of imaginative creatures seen floating in the nighttime sky, while the other looks into an uncertain future that holds the anxiety of a fresh start but also the ever present risk of failure. The artwork takes these motifs and implements them in a vision of technological enhancements of human capacities and evolvement, forming a futuristic symbiosis that enables for synaesthetic senses heightened to an subatomic degree. But it is unsure, however, if these augmentations can actually expand our human experience or rather amplify our solitary existence and emotional void while traveling across fantastic worlds and the universal vacuum filling the space between.
Krasnodar, Russia: In the midst of grey soviet housing projects, a young boy enjoys playing and improvising his first little melodies on his parents piano. Always being inspired by the nature nearby the city – memories of peaceful springtime swimming sessions in the Black Sea come to mind – Lomovolokno grows up fascinated by machinery like samplers and the rapidly increasing possibilities of modern computers. Delving deeply into twisting melodies, building sounds and crossing notes leads his way to first field recordings resulting in an influx of elements ranging from waves of the sea, the wind, sand, crackling noises, banging and rustling becoming a part of his sound.
Sieren is the maiden name of Matthias Frick’s mother and also his current alias under which he started to release his first free tracks in 2011. Rumor has it that he has a dark secret history of producing experimental techno, albeit his love for UK influenced bass music existed for more than one handful of years. It was not until recently that he began to make the most of his love for field recording and experimental soundscaping and is now throwing his full force into music, while simultaneously finishing a university degree in computer science and design before moving from small town to métropole to follow a new set of challenges and advance to the next stage of his life. »